But then this is a François Pignon film, starring Patrick Tamsit as Pignon and Richard Berry as Milan. Milan is a hired killer intending to assassinate Randoni (Michel Aumont), who is about to give evidence in a trial concerning political corruption, and his hotel room overlooks the Palais de Justice: yeah, OK, there has to be a suspension of disbelief otherwise no film.
Pignon is obviously a Veberian Pignon, meaning he's stupid, although probably by no means that stupid, maybe even more clever than most of the rest, but certainly shunned by society, and here his wife in particular: she (Louise as Virginie Ledoyen) has gone to live with psychiatrist Wolf (Pascal Elbé), who is definitely more stupid than Pignon.
Pignon is so distressed that he wants to kill himself, but brings down not only his shower head but his water supply in the process: time for the domestic to help, but Milan assures him he'll take care of the job, hiding his artillery at the same time as he tries to pacify Pignon. There's a Pignon in all of us, a hero and a coward, a genius and an idiot, a philosopher and a Colin Wilson, but Veber hits out at all stupidity and mindless pretentiousness. I loved this film, but I absolutely have to see Édouard Molinaro's original movie.
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