Ce vieux rêve qui bouge is perhaps best known as the medium length film which Jean-Luc Godard praised as the best film at the Festival de Cannes in 2001. I can understand why: this is a hymn to work, of rather the remains of it, and as such it's a rather rare film in that it shows people actually performiing actions at work, not stopping to talk but talking at the same time as they're working.
Jacques (Pierre Louis-Calixte) has come to the factory – which is closing down – to remove the last piece of machinery. We see him working on the machine, drinking with the workers, and showering at the end of the day. We also know that he's unmarried, is only attracted to men, and is sexually drawn to the pot-bellied boss Donand (Jean-Marie Combelles), who withdraws when (at the same time as he works) Jacques tries to pull his cock out.
On the final day, Jacques learns definitively that Donand really isn't interested. But Louis (Jean Ségani) – a man in his early fifties much weathered by work and appears considerably older than his years – tells Jacques that he gets a hard-on at the mere thought of him. But Jacques isn't interested, and no it's not his age or his figure, he just isn't interested.
And as the credits roll, a muscular-sounding male voice ensemble sings Théophile Gautier's 'Villanelle', a heterosexual pastoral song as the viewer sees an urban setting drift along.
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