Showing posts with label Mosley (Oswald). Show all posts
Showing posts with label Mosley (Oswald). Show all posts

8 August 2013

Three Mitford Sisters in Swinbrook, Oxfordshire

The graves of three Mitford sisters in a row in Swinbrook, Oxfordshire, which was their family home.
 
'NANCY
MITFORD
Authoress
wife of
Peter Rodd
1904–1973'
 
Despite what the gravestone says, Nancy Mitford was divorced from Rodd in 1959. She was noted for her novels, particularly The Pursuit of Love (1945) and Love in a Cold Climate (1949). She also popularised the whimsical expressions 'U' and 'non-U' in an essay in Noblesse Oblige: An Enquiry Into the Identifiable Characteristics of the English Aristocracy (1956).
 
'UNITY VALKYRIE
MITFORD
Born 8th Aug 1914
Died 28th May 1948
Say not the struggle
naught availeth'
 
Now we come to the notorious two sisters. Unity Mitford is famous for her obsession with Adolf Hitler, for stalking him and greatly impressing him with her Ayrian looks (and her middle name).  And after Britain declared war on Germany she shot herself in the head, although it took nearly nine years for the bullet still lodged there to kill her.
 
'DIANA
MOSLEY
née
MITFORD
1910
2004'
 
Notorious for – among other things – leaving her husband Bryan Guinness for the fascist leader Oswald Mosley, having her second marriage at Goebbels's house with Hitler as guest of honour, etc. Some called her the most hated woman in the country: it wasn't exactly surprising that her appearance on Desert Island Discs in 1989 should have received so many complaints.

12 December 2012

The Battle of Cable Street Mural, East End: London #51

There's no point in me paraphrasing the eloquent words at the side of this beautiful mural, so I'm just copying them word for word in the knowledge that no one can possibly raise an objection to that: the story needs to be told over and over, so here it is:

'The Battle of Cable Street Mural

'On 4th October 1936 the people of the East End halted a march by fascists in what has gone down in history as "The Battle of Cable Street."
 
'People from the Jewish community, communists, trade unionists, Labour Party members, Irish dockers and labourers joined forces to oppose the march through Stepney planned by Sir Oswald Mosley, leader of the British Union of Fascists (BUF) and thousands of his followers, known as 'Blackshirts'. Their uniforms echoed those used by their counterparts in Italy and Germany and the arm-raised salute was used as a symbol of their political allegiances.

'The planned route was through an impoverished area with a high concentration of Jewish residents and was seen as a deliberate provocation. The government of the day refused the request by Jewish, local and community groups to ban the march and on the day over 250,000 East Londoners took to the streets to bar the way to British fascism. The Spanish Civil War had begun a few months earlier and opposition to Mosley's Blackshirts was seen as the same struggle as that being fought by the Spanish Republicans against Franco's German and Italian backed Nationalists. The slogan being used by the Republicans in the defense of Madrid was adopted at the barricades in Cable Street – They Shall Not Pass (No Pasaran).

'The ensuing action ensured that Mosley's marchers were turned back and political history was made. One resulting legacy was The Public Order Act of 1936, banning the wearing of political uniforms in public. More importantly, on the day itself, the fascists "did not pass" and the people of the East End played a crucial role in the defeat of organised British fascism for decades to come.

'The mural on the west wall of St George's Town Hall was commissioned to commemorate the events of 1936. Work was started in 1976 by artist Dave Binnington whose designs were partly inspired by the famous mural artists David Alfaro Siquerios and Diego Rivera. There were setbacks with several acts of vandalism on the work in progress and Dave was unable to complete the project. The work was taken up by artists Paul Butler, Ray Walker and Desmond Rochfort, who brought their own skills, designs and ideas to the project whilst achieving a stylistic unity. The mural was finally completed in 1983. The finished work measures approximately 17 x 18 metres and has become an important pictorial document with both historic and artistic significance.
 
'Since its completion particular areas of the mural have required attention but by 2011 it was in need of major restoration, including repairs to the render on which it sits. As guardians of the mural, Tower Hamlets Council commissioned the necessary works with funds secured through a Planning Contribution from property developers Ballymore.

'Hirst Conservation were appointed to do the restoration along with Paul Butler, one of the original artists, who carried out the necessary painting.

'This epic mural serves to remind us of what can be achieved when communities join together against those who seek to divide them.

'The restored Cable Street Mural was unveiled by Mayor Luther Rahman on 1st October 2011.'