Juste avant la nuit is based on the novel The Thin Line (1951) by Edward Atiyah, and on the face of it can be considered as a kind of retake of La Femme Infidèle. This is the final of the Hélène series, with Hélène (Stéphane Audran) married to Charles (Michel Bouquet), whose best friend is François (François Tellier) – not called Paul in this film.
The film begins with a masochistic episode, Charles killing his masochistic lover, getting rid of evidence, having a few whiskies in a bar, being sick in the toilet, and meeting François in the bar. Visibly, he is psychologically troubled.
His trouble will continue, after the body is discovered, investigation has taken place, and the police are still no closer to finding the answer. Charles feels as though he's having a nervous breakdown, has to tell someone of his troubles, so tells Hélène of his affair with Laura. And later, of his (almost accidental) murder of her. Hélène continues to support Charles: what else can she do, as she's financially and familiarly tied to him. But (religious? moral?) guilt hounds Charles.
He tells François and asks if he should confess to the police, but François is stoical: he loves Charles, and then there's the scandal, why disturb the (bourgeois) universe? Because, of course, Charles wants to give himself up, purge himself, but he's the only person who wants this.
The solution to a suicidal Charles? Well, suicide, or is it euthanasia? Anyway, his kids soon forget the business.
The film begins with a masochistic episode, Charles killing his masochistic lover, getting rid of evidence, having a few whiskies in a bar, being sick in the toilet, and meeting François in the bar. Visibly, he is psychologically troubled.
His trouble will continue, after the body is discovered, investigation has taken place, and the police are still no closer to finding the answer. Charles feels as though he's having a nervous breakdown, has to tell someone of his troubles, so tells Hélène of his affair with Laura. And later, of his (almost accidental) murder of her. Hélène continues to support Charles: what else can she do, as she's financially and familiarly tied to him. But (religious? moral?) guilt hounds Charles.
He tells François and asks if he should confess to the police, but François is stoical: he loves Charles, and then there's the scandal, why disturb the (bourgeois) universe? Because, of course, Charles wants to give himself up, purge himself, but he's the only person who wants this.
The solution to a suicidal Charles? Well, suicide, or is it euthanasia? Anyway, his kids soon forget the business.
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