This film is written by both Claire Denis and Marie NDiaye. It brings to mind Denis's first film Chocolat (1988), although it's not set in any specific place, just an unnamed country in Africa where a civil war between the government and the rebels (including children) is being waged.
In a way, the protagonist conjures up Isabelle Huppert's performance in the film adaptation of Marguerite Duras's eponymous novel Un barrage contre le Pacifique (1950), which was directed by Rithy Panh in 2008. Maria Vial (Isabelle Huppert) lives on the coffee plantation of her ex-father-in-law Henri (Michel Subor) and her ex-husband André (Christophe Lambert), alone with her psychologically disturbed son Manuel (Nicolas Duvauchelle) and now the rebel officer 'Le Boxeur' (Isaach de Bankolé). Due to the imminent danger all her workers have fled but she remains stubbornly waiting for the crop to be harvested and recruits workers from another farm to fulfil the work. The tension mounts, the death count rises, she is advised to move out, but Maria stands her ground, as if waiting stoically for a death sentence.
Manuel is attacked, stripped naked by young rebels and goes mad, shaving his head with revenge in his eyes, much like Travis Bickles (Robert De Niro) in Scorsese's Taxi Driver. The violence continues to grow.
The title of the film obviously relates to white people's goods, as well as the white people in this country. The atmosphere is very bleak, foreboding, the scenes non-sequential, and with a soundtrack by Tindersticks this is quite devastating.
In a way, the protagonist conjures up Isabelle Huppert's performance in the film adaptation of Marguerite Duras's eponymous novel Un barrage contre le Pacifique (1950), which was directed by Rithy Panh in 2008. Maria Vial (Isabelle Huppert) lives on the coffee plantation of her ex-father-in-law Henri (Michel Subor) and her ex-husband André (Christophe Lambert), alone with her psychologically disturbed son Manuel (Nicolas Duvauchelle) and now the rebel officer 'Le Boxeur' (Isaach de Bankolé). Due to the imminent danger all her workers have fled but she remains stubbornly waiting for the crop to be harvested and recruits workers from another farm to fulfil the work. The tension mounts, the death count rises, she is advised to move out, but Maria stands her ground, as if waiting stoically for a death sentence.
Manuel is attacked, stripped naked by young rebels and goes mad, shaving his head with revenge in his eyes, much like Travis Bickles (Robert De Niro) in Scorsese's Taxi Driver. The violence continues to grow.
The title of the film obviously relates to white people's goods, as well as the white people in this country. The atmosphere is very bleak, foreboding, the scenes non-sequential, and with a soundtrack by Tindersticks this is quite devastating.
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