Truffaut's Une belle fille comme moi is a film in which Camille Bliss (Bernadette LaFont) is interviewed in prison by Stanislas Prévine (André Dussollier), a man writing a thesis on women murders. Camille manipulates him so much that he believes her, is attracted to her, and in spite of his secretary (who is obviously in love with him) believes what she says.
From Camille's words recorded on Stanislas's tape recorder the viewer is taken via a series of flashbacks through her childhood with her brutish father, her marriage to Clovis Bliss (Philippe Léotard), her relationship with the rodent exterminator Arthur (Charles Denner), with the singer Sam Golden (Guy Marchand) and the blackmailing lawyer Me Murene, all of whom she has a sexual relationship with.
Finally, Stanislas discovers that she isn't guilty of the murder of the religiously obsessed Arthur, so she is free to go and become a famous singer. Stanislas imagines that she is his, although Camille frames him for the murder of Clovis –and Stanislas ends in jail.
One of Truffaut's femmes fatales, and this black comedy is a delight to watch.
From Camille's words recorded on Stanislas's tape recorder the viewer is taken via a series of flashbacks through her childhood with her brutish father, her marriage to Clovis Bliss (Philippe Léotard), her relationship with the rodent exterminator Arthur (Charles Denner), with the singer Sam Golden (Guy Marchand) and the blackmailing lawyer Me Murene, all of whom she has a sexual relationship with.
Finally, Stanislas discovers that she isn't guilty of the murder of the religiously obsessed Arthur, so she is free to go and become a famous singer. Stanislas imagines that she is his, although Camille frames him for the murder of Clovis –and Stanislas ends in jail.
One of Truffaut's femmes fatales, and this black comedy is a delight to watch.
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