Son nom d'avant is in three parts, the second part being by far the longest. The first part is an obsessive view of a street, concentrating on a girl of about twenty who boards a bus where a man is standing and who stares at her.
In Part II the same girl appears, now a 39-year-old woman with children, and who we learn after some time is Britt Casella, married to a man very comfortably off with his own business. But, as with (all?) main characters in Hélène Lenoir's books, she's mentally asphixiated, as is quite clear from her interior monologue. Justus is employing the prominent photographer Johann Samek to photograph his building. Samek, it soon becomes evident, is the man who was standing on the bus about twenty years ago, the man who stared at the young Britt. And he's preoccupied by the photo of the older Britt in Justus's office.
Part III begins with Britt receiving two photos addressed to her from Samek, photos relating to her twenty years before, just before she took the bus. But she doesn't understand, thinks he's made a mistake. Of course, she hasn't, and she phones Samek, and what he mainly wants to know is her 'name before', which brings us to the title. She was Britt Ardell, but what the present Britt Casella is she doesn't know, and she must flee from her marriage. The conclusion is far from conclusive.
My Hélène Lenoir posts:
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Hélène Lenoir: Entracte
Hélène Lenoir: Son nom d'avant
Hélène Lenoir: Le Magot de Momm
My Hélène Lenoir posts:
––––––––––––––––––––––––––––––––––––
Hélène Lenoir: Entracte
Hélène Lenoir: Son nom d'avant
Hélène Lenoir: Le Magot de Momm
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