Showing posts with label Pickens-Salley House. Show all posts
Showing posts with label Pickens-Salley House. Show all posts

13 September 2010

Lucy Holcombe Pickens and the Pickens-Salley House, Aiken, South Carolina: Southern Literary Tour, Part Two: #21

This historical marker, in the grounds of the University of South Carolina Aiken campus just in front of the Pickens-Salley House, says it all.
'This plantation house, first known as “Edgewood,” is an excellent example of Federal-era architecture. Originally near Edgefield, it was built in 1828 for Francis W. Pickens (1807–1869), state representative and senator, congressman, U.S. Minister to Russia, and governor 1860–62 during the secession crisis and the first two years of the Civil War. Lucy Holcombe Pickens was an ardent Confederate and novelist.'

'In 1929 Eulalie Chafee Salley (1883–1975), pioneer woman suffragist, real estate broker, and developer, saved the house. Salley, architect Willis Irvin (1891–1950), and contractor Byron E. Hair supervised its dismantling, relocation to the Kalmia Hill area of Aiken, and restoration. It was moved here in 1989 when developer Ronny Bolton donated it to the University of South Carolina Aiken.'

 
 
 
 
My related post below is also worth a visit:
 
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Elizabeth Boatwright Coker's India Allan (1953)

13 August 2010

Elizabeth Boatwright Coker: India Allan (1953), and a Few Digressions

India Allen, by Elizabeth Boatwright Coker (1909–93), is interesting in itself: the novel begins in antebellum South Carolina among the aristocracy, continues through the crisis of the Civil War (1861–65), and concludes during Reconstruction, when the Southern aristocracy is attempting to cope with its loss of wealth, Northern carpetbaggers, and the new status of the slaves upon whom they once depended for that wealth. This forms an important backcloth to the love story between India and Max Allen, who marry quite early in the novel. This is a love which endures, despite terrible injuries the war inflicts on Max, and in spite of his subsequent amnesia which partly causes their eight-year separation, when Max escapes to the Appalachians to trade with the mountain women.

But of additional interest to me, and I know to others, are the minor characters representing Lucy Holcombe Pickens (1832–99) and her husband Francis Wilkinson Pickens (1807–69). Lucy was well known for her beauty, and is remembered now as the only woman to appear on a CSA (Confederate States of America) banknote.

India meets Max in White Sulphur Springs (the marriage mart), Virginia, where Lucy met Francis, although most of India Allan is set in Edgefield, South Carolina, where the Pickens lived in a house with an interesting history. Bought by Francis – who had been married twice before – in 1829 and called Edgewood, the house remained in Lucy's possession until her death.*

And then in 1929, by which time Edgewood was in a state of some disrepair, Eulalie Chafee Salley (1883–1975) and her husband bought the house. Eulalie was a feminist and one of the first female real estate agents; she lived in Kalmia Hill, Aiken, and had the house moved there. In 1989, The Pickens-Salley House was moved to the University of South Carolina campus, Aiken, where it remains. This is a professionally produced, nine-minute video history of The Pickens-Salley House.

*Lucy Holcombe Pickens published the novel The Free Flag of Cuba in 1855, but that's another story.


My related post below is also worth a visit:

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Lucy Holcombe Pickens and the Pickens-Salley House