Showing posts with label Gauthier (Xavière). Show all posts
Showing posts with label Gauthier (Xavière). Show all posts

3 May 2019

Zavière Gauthier: La vierge rouge : Biographie de Louise Michel (1999); repr. and addition to L'Insoumise (1990)

Zavière Gauthier's La Vierge rouge is a partly fictionalised biography of Louise Michel: she introduces conversation, mixes her own words and thoughts with those of Michel, generally turns a biography into a novelised creation, and yet it works.

Born in 1830, Michel was the product of a servant (Marianne Michel)  and – most probably – Laurent Demahis, the son of Étienne-Charles Demahis, the owner of a ruinous castle near the very small village of Vroncourt-la-Côte, Haute-Marne. The castle no longer exists, although a memorial to Michel with interpretation boards stand near its place.

Michel received a good and liberal education and later left to teach in Paris. One of her pupils was Mathilde Mauté de Fleurville, who Paul Verlaine married. Michel wrote a brief verse predicting a good future for the marriage, although the world of course knows otherwise.

She is most known, of course, for her anarchistic views, her activities in the Paris Commune, and her friendship with Victor Hugo, with whom she probably had a brief sexual liaison. From a physical and psychological distance, she loved the Communard Théophile Ferré, who was killed in the fighting and buried in the cemetery in Levallois-Perret, where Michel was buried in 1905.

The most interesting part for me came when she was deported to New Caledonia (then the French version of the UK's Australia), to a penal colony where she not only learned the language of the native Kanaks, braved her way into gaining their respect, but sided with them against the prison authorities. They showered gifts on her when she felt she had to leave to see her ailing mother.

After the New Caledonian episode Michel's life – return to prison, followed by seemingly hectic lecture tours all over France – seemed to come as an anticlimax, but then perhaps it was for her to some extent. It is in the nature of the French to love many of their anarchists, and I find it fitting that a large area in front of the Sacré-Cœur has been named after her, and that a statue of her (with a representation of one of her beloved cats snuggling around her skirt) is in Lavallois-Perret.

My Louise Michel posts:
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Zavière Gauthier: La vierge rouge : Biographie de Louise Michel
Louise Michel in Levallois-Perret
Louise Michel in Marseille

5 January 2019

Marguerite Duras and Xavière Gauthier: Les Parleuses (1974)

Les Parleuses is a collection of five long interviews Xavière Gauthier* had with Marguerite Duras: one in May 1973, four in July 1973. The novelty here is that the interviews are in their original form, unedited, a transcript including pauses, errors, repetitions, glasses of wine, etc. Sometimes, Gauthier writes in her Foreword, the women got so involved in their conversation that the tape recorder band had long finished.

Inevitably, some of the material here – perhaps the talk of the male-female relationship, and certainly of French politics (this being only five years after the événements of May 68) – comes across as dated, but there is a great deal of fascinating information here about Duras's aethetics both as a writer and as a film-maker. It was also published a little before Hélène Cixous's Le Rire de la Méduse (1975), which outlined the theory of l'écriture féminine, an expression Duras and Gaulthier are seen groping for here.

Both speakers here are clearly very left wing, and Duras is shown here as a revolutionary artist in more ways than one. Duras (apart from her earlier work) wrote books and made films often using the names of her her previous characters, although it isn't always clear who they are, and indeed Duras (who sometimes forgets what she's previously written because it isn't important) often doesn't know the answer. She sees writing as an activity for the reader to fill in their own answers to, or (perhaps better) to make their own suggestions about: she calls herself an 'echo chamber'. There is something very palimpsestic about her work.

These conversations further strengthen the fact that Duras was not only a most original writer, but also an extremely important one.

* Xavière Gauthier's doctoral thesis was on surrealism and sexuality, which she turned into a book. She also wrote a book on the surrrealist artist and writer Leonor Fini (1973), and La Vierge: Biographie de Louise Michel (1999).
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Marguerite Duras: La Pute de la côte normande
Marguerite Duras: L'Homme assis dans le couloir
Marguerite Duras: Agatha
Marguerite Duras: Emily L.
Marguerite Duras: Les Yeux bleus cheveux noirs
Marguerite Duras: L'Amant | The Lover
Marguerite Duras: Le Ravissement de Lol V. Stein
Marguerite Duras: L'Amante anglaise
Laure Adler: Marguerite Duras
Marguerite Duras: Cimetière du Montparnasse
Marguerite Duras: Un barrage contre le Pacifique
Marguerite Duras: L'Après-midi de Monsieur Andesmas
Marguerite Duras: Les Petits Chevaux de Tarquinia
Marguerite Duras: Le Marin de Gibraltar | The Sailor from Gibraltar
Marguerite Duras: La Douleur | The War: A Memoir
Yann Andréa: Cet amour-là
Marguerite Duras and Xavière Gauthier: Les Parleuses
Marguerite Duras: Savannah Bay

Marguerite Duras: Détruire, dit-elle | Destroy, She Said
Marguerite Duras: L'Amour
Marguerite Duras: Dix heures et demie du soir en été
Marguerite Duras: Le Square | The Square
Marguerite Duras: Les Impudents
Marguerite Duras: Le Shaga
Marguerite Duras: Oui, peut-être
Marguerite Duras: Des journées entières dans les arbres
Marguerite Duras: Suzanna Andler
Marguerite Duras: Le Vice-Consul | The Vice Consul
Marguerite Duras: Moderato cantabile
Marguerite Duras: La Vie matérielle
Marguerite Duras: La Vie tranquille
Marguerite Duras: La Pluie d'été