The site on which Street Art City now stands near Lurcy-Lévis, Allier (03) was originally used by France télécom from 1982 to 1992, when it was left abandoned until Sylvie, concerned about the waste of the decaying buildings, hit on the idea of a home for the international street art, the graffiti such as she'd seen on and around trains, in streets, etc. Consequently, Street Art City was born on 22 January 2015. The above animal is Bijou, Sylvie's dog, mascot and part of the security staff. I took quite a number of photos here, far more than I can reasonably post, but those I do post here are among my favourites. They are all credited to Street Art City: a truly remarkable place! I notice that in an online comment that someone came from the Vosges especially to see Street Art City: so what? One of the reasons we visited New Zealand was to see Frank Sargeson's bach! Street Art City is worth going a huge distance to see, and we wouldn't even have been aware of it if the curator of the Musée Émile Guillaumin hadn't raved about it. What are you waiting for? Go see this world of wonders!
Cray One, it says in the leaflet (mercifully in French, so no translation blunders), is one of the pioneers of the eighties movement, and this painting is full of the codes, or let's say the symbols, of urban art.
I love this contribution from Damien-Paul Gal, 'Dans quel monde Vuitton', a pun on 'Dans quel monde vit-on ?', or 'What kind of world are we living in?', and the answer is clearly in consumerist hell: Gal's sentence is full of commercial images, such as Macdonald's, Shell, Nike, etc. And the main 'attack' seems to be on the supermarket chain Atac!
German artist Costwo's painting of Beauty and the Beast (La Belle et la Bête) was executed in a week by spray can alone.
A haunting portrait from French artist Ted Nomad, from Mâcon.
Photo-realism from Simpleg.
This mural by Snake is one of the largest.
From Argentina, Caro Pepe's eye work.
Finally, it would just be obscene not to allow Bucky (Buckminster Fuller, of course) to sneak in.