Cet-amour-là isn't linear, it hops about all over Andréa's sixteen years with Duras, repeats itself, loops back on itself, dwelling particularly on Duras's grave in 'Mont-Parnasse' and on the time they spent together in Duras's flat Roches noires in Trouville, or her house in Neauphle-le-Château, or the flat in rue Saint-Benoît in Saint-Germain-des-Prés. He writes to her, speaks to her, and her words come from the page unpunctuated. He is often despairing, with talk of suicide, pages obviously full of loss, existential crisis, lack of will.
Duras left Andréa with a flat, still on rue Saint-Benoît, and close to the Café de Flore, which Andréa takes some time to revisit after his loss. He spends many days just drinking, leaving bottles strewn about the flat, just eating delivered meals, not washing or cleaning his teeth, he stinks. Until he finally calls his mother, and she and her partner come to collect Andréa, and take him to their home in Agen, Lot-et-Garonne.
When he's ready to return to Paris to eventually clean his flat up, on the way he visits Duras's father's grave, which she wanted him to drive her to but he'd feared she'd die at any moment, die in the car. Andréa barely mentions anything about his homosexuality, unless his enthusiasm for barmen in white jackets (only mentioned once), or his solitary walks can be read as euphemisms. And then, in January 1999, his book is finished and he goes off for a two-week holiday to Patmos with unnamed friends.
Yann Andréa died in his flat in 2014 at the age of sixty-one.