Although it was made twenty-eight years after Jean Vigo's À propos de Nice (1930), and although Varda directed Du côté de la côte commissioned by the tourist office, it is impossible not to view the two films side by side. Varda's work is by no means exlusively about Nice, although inevitably the town features strongly. La promenade des Anglais is of course present in both, as is the welcoming of visitors in cars as they roll up to the forecourts of expensive hotels, ditto the Grosses Têtes of the carnival. Obviously the clothes both on the beach and off are particularly starchy and formal in Vigo's film, but that's not the essential difference.
Varda's film is not without its humour: as she speaks about the tranquil spots the viewer sees hordes of tourists, and it is with obvious tongue firmly in cheek that she takes shots of every mention of 'Eden' that she can find: it's not too difficult to see the very subtle criticism of the mindlessness of tourism. Vigo, on the other hand, wasn't working to a commission, and could afford to show the other side of Nice: the poverty in the slums.
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