19 June 2018

Lucienne Desnoues in Montjustin, Alpes-de-Haute-Provence (04)


Lucienne Desnoues (1921–2018) was the pseudonym under which Lucienne Mogin (who married Jean Mogin in 1947) wrote her poetry. She was the great-niece of the representation of Desnoues the blacksmith in Alain-Fournier's Le Grand Meaulnes. According to Wikipédia, her poems are noted for their alliteration and her use of holorimes: a new word for me, but then an example is given:

'Ah ! ce qu'on sert de faux ré
À ce concert de Fauré'.

Obviously, we're talking about about different words being used as sonic appoximations of others. In a slightly silly analogy, I'm reminded of the French 'Un petit d'un petit s'étonne aux Halles' being a near equivalent of 'Humpty Dumpty sat on a wall'. A little silly in my example certainly, although surely we're not far from the DNA of Oulipo?

Desnoues' first volume of poetry, Jardin Délivré, Raisons d’être (1947) was prefaced by Charles Vildrac, and was the first of ten works of poetry.

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