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After her poem 'Elegy on Captain Cook' (1780), she was named 'the Swan of Lichfield', worked with Darwin on The Botanic Garden, and published a biography of him on his death in 1802. Among others, she was in correspondence with Robert Southey and Samuel Taylor Coleridge.
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'Amid these Aisles, where once his precepts shew'd,
The heavenward pathway which in life he trode,
This simple tablet marks a Father’s bier;
And those he loved in life, in death are near.
For him, for them, a daughter bade it rise,
Memorial of domestic charities.
Still would you know why o’er the marble spread,
In female grace the willow droops her head;
Why on her branches, silent and unstrung,
The minstrel harp, is emblematic hung;
What Poet’s voice is smother’d here in dust,
Till waked to join the chorus of the just;
Lo! one brief line an answer sad supplies—
Honour’d, belov’d, and mourn’d, here Seward lies:
Her worth, her warmth of heart, our sorrows say:
Go seek her genius in her living lay.'
She has become something of a gay icon.
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In 1801 Boothby visited the Lowlands and discovered that the Herkenrode glass from the former abbey, which was closed and sold in 1797, had been removed by the owner. Boothby was much impressed by it, and negociated for the purchase for Lichfield Cathedral. He paid £200 for the glass, including transport, the Dean and Chapter later repaid him, and installation was complete in 1805.
Boothby moved in the Lichfield literary circle with the likes of Erasmus Darwin and Anna Seward, and was reponsible for publishing Jean-Jacques Rousseau's Confessions in Lichfield. The painting above is by Joseph Wright of Derby, and shows him holding a book by Rousseau.
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