4 December 2021

Wesh Westmoreland's Colette (2018)

This biopic begins in Saint-Sauveur-en-Puisaye, Yonne, where Sidonie-Gabrielle Colette (Keira Knightly) is very willingly being courted by Henry Gauthier-Villars (Dominic West), a 'literary entrepreneur' who uses other writers in his name and is commonly referred to as Willy. They get married, Colette moves to Paris with him and soon finds out that his tastes aren't only literary: he is an egotist with a love for expensive living and a taste for prostitutes, believing that sexual promiscuity is in the nature of men. But his expensive lifestyle is finding the better of his bank balance.

Colette has a writing talent and she is soon writing 'Claudine' stories which Willy is using under his name. She becomes a great success, many products now bear the name 'Claudine', and Willy reaps the benefits of fame and fortune. At the same time, Colette is discovering herself sexually, particularly with 'Missy', aka Mathilde de Morny (Denise Gough), who dresses like a man. 'Missy' is perfectly aware that Willy is taking advantage of Colette, who she knows is in fact writing the part-autobiographical Claudine tales.

Colette and Missy perform at the Moulin Rouge and cause a scandal by kissing at the end of the show. Unbeknown to Colette, Willy (fearing economic ruin) sells all the rights of Claudine: when she finds out she leaves Willy for good and begins her life (which will continue with Missy) as author of her own works, although the film only tells of her highly successful future in written captions and photos which appear onscreen at the end: this very colourful film is only a biopic of Colette's early years.

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