Raymond Isidore (1900-64) was born in Chartres (where he died) into a family of modest means, received only a rudimentary education and initially had a number of jobs. In 1924 he married Adrienne Rolland, a widow with three children, and on buying a small plot of land built a house on it for his family.
In 1935 he was a road builder, but in his spare time he'd been collecting pieces of broken porcelain and earthenware, with which he created mosaics with cement, 'cladding' his house. He found his crockery in local rubbish dumps, and later, when he was a cemetery sweeper, also from broken ornaments on graves. He said that his creations (often based on Christian religion) came to him in his dreams. He earned the name 'Picassiette', the French for 'scrounger', although there's also an obvious reference to Picasso there.
And although his genius is now recognised, at the time the jokes about him can't have done a great deal of good to his mental health: during the war for instance, he spent several months in a psychiatric hospital. It was on leaving hospital, in 1949, that he became a sweeper at the local cemetery in Hauts-de-Chartres, just a minute's walk from his house.
In 1956 he began new constructions at the back of his house: a chapel and a summer house. On retirement he devoted himself entirely to his work, and in 1962 he began his final creation: 'Le tombeau de l'esprit' (lit. 'The grave of the spirit'). His work took him 35 years in total, using five tonnes of broken crockery. He was re-admitted to a psychiatric hospital in 1964. On 6 September he was found worn out at the side of a road and died the next day. The town of Chartres bought the house in 1981 and La Maison Picassiette was declared a Monument Historique in 1983. The area Hauts-de-Chartres underwent a process of renovation from the late 1980s to 2015, using Raymond Isidore as its inspiration: mosaics are laid into the pavement and a number of large rocks with mosaics on them characterise the Hauts-de-Chartres.
The images I show below follow the self-guided tour of La Maison Picassiette, showing:
A few photos of Raymond Isidore.
The main house. Raymond Isidore started decorating it in 1938, beginning with the interior. There are just three rooms - kitchen, living room and bedroom, with murals (such as the Mont-Saint-Michel one), mosaic sewing machine cover, etc.
The chapel. This was built between 1953 and 1956, and although most of the themes here are religious, there are also a few agricultural images.
La Cour noire. Black was chosen to represent earthly life for this open air display. Chartres cathedral is represented in stone, above a black grave with a black throne facing it.
The summer house. This was built at the same time as the chapel, and the interior is painted (the house leaflet calls it 'étonnamment maladroites' ('astonishingly clumsy')).
The garden. This is in two parts, one having a number of statues, the other a French garden with a tiny pond and a representation of the town of Jerusalem.
Le Tombeau de l'esprit. Blue, symbolising celestial space.
In 1935 he was a road builder, but in his spare time he'd been collecting pieces of broken porcelain and earthenware, with which he created mosaics with cement, 'cladding' his house. He found his crockery in local rubbish dumps, and later, when he was a cemetery sweeper, also from broken ornaments on graves. He said that his creations (often based on Christian religion) came to him in his dreams. He earned the name 'Picassiette', the French for 'scrounger', although there's also an obvious reference to Picasso there.
And although his genius is now recognised, at the time the jokes about him can't have done a great deal of good to his mental health: during the war for instance, he spent several months in a psychiatric hospital. It was on leaving hospital, in 1949, that he became a sweeper at the local cemetery in Hauts-de-Chartres, just a minute's walk from his house.
In 1956 he began new constructions at the back of his house: a chapel and a summer house. On retirement he devoted himself entirely to his work, and in 1962 he began his final creation: 'Le tombeau de l'esprit' (lit. 'The grave of the spirit'). His work took him 35 years in total, using five tonnes of broken crockery. He was re-admitted to a psychiatric hospital in 1964. On 6 September he was found worn out at the side of a road and died the next day. The town of Chartres bought the house in 1981 and La Maison Picassiette was declared a Monument Historique in 1983. The area Hauts-de-Chartres underwent a process of renovation from the late 1980s to 2015, using Raymond Isidore as its inspiration: mosaics are laid into the pavement and a number of large rocks with mosaics on them characterise the Hauts-de-Chartres.
The images I show below follow the self-guided tour of La Maison Picassiette, showing:
A few photos of Raymond Isidore.
The main house. Raymond Isidore started decorating it in 1938, beginning with the interior. There are just three rooms - kitchen, living room and bedroom, with murals (such as the Mont-Saint-Michel one), mosaic sewing machine cover, etc.
The chapel. This was built between 1953 and 1956, and although most of the themes here are religious, there are also a few agricultural images.
La Cour noire. Black was chosen to represent earthly life for this open air display. Chartres cathedral is represented in stone, above a black grave with a black throne facing it.
The summer house. This was built at the same time as the chapel, and the interior is painted (the house leaflet calls it 'étonnamment maladroites' ('astonishingly clumsy')).
The garden. This is in two parts, one having a number of statues, the other a French garden with a tiny pond and a representation of the town of Jerusalem.
Le Tombeau de l'esprit. Blue, symbolising celestial space.
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